ALTDORFER, Albrecht

German Northern Renaissance Painter, ca.1480-1538 Albrecht Altdorfer (c. 1480 near Regensburg ?C 12 February 1538 in Regensburg) was a German painter, printmaker and architect of the Renaissance era, the leader of the Danube School in southern Germany, and a near-contemporary of Albrecht D??rer. He is best known as a significant pioneer of landscape in art. He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. [1] He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.


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ALTDORFER, Albrecht Christ on the Cross f oil


Christ on the Cross f
Painting ID::  4713
Christ on the Cross f
c. 1520 Wood, 75 x 57,5 cm Museum of Fine Arts, Budapest
c._1520 Wood,_75_x_57,5_cm Museum_of_Fine_Arts,_Budapest
   
   
     

ALTDORFER, Albrecht Christ on the Cross (detail)  vfgf oil


Christ on the Cross (detail) vfgf
Painting ID::  4714
Christ on the Cross (detail) vfgf
c. 1520 Wood Museum of Fine Arts, Budapest
c._1520 Wood Museum_of_Fine_Arts,_Budapest
   
   
     

ALTDORFER, Albrecht Christ on the Cross (detail)  gvcvc oil


Christ on the Cross (detail) gvcvc
Painting ID::  4715
Christ on the Cross (detail) gvcvc
c. 1520 Wood Museum of Fine Arts, Budapest
c._1520 Wood Museum_of_Fine_Arts,_Budapest
   
   
     

ALTDORFER, Albrecht Mary with the Child  kkk oil


Mary with the Child kkk
Painting ID::  4717
Mary with the Child kkk
1520-25 Wood, 49,4 x 35,5 cm Museum of Fine Arts, Budapest
   
   
     

ALTDORFER, Albrecht The Arrest of Christ oil


The Arrest of Christ
Painting ID::  4719
The Arrest of Christ
1509-16 Oil on wood, 129,5 x 97 cm Augustiner Chorherrenstift, St Florian bei Linz
   
   
     

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     ALTDORFER, Albrecht
     German Northern Renaissance Painter, ca.1480-1538 Albrecht Altdorfer (c. 1480 near Regensburg ?C 12 February 1538 in Regensburg) was a German painter, printmaker and architect of the Renaissance era, the leader of the Danube School in southern Germany, and a near-contemporary of Albrecht D??rer. He is best known as a significant pioneer of landscape in art. He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. [1] He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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